![]() Short answer: Set Saturation ‘downstream’ of your initial Primary Correction. THEN it makes sense to attack Saturation.Īnd yes, after Saturating the image you may need to rework brightness and color balance… but maybe not-so why not leave it until after fixing the bigger problems? What’s the best way to set Saturation in Final Cut Pro X? Position the playhead in the timeline so that your clip appears in the viewer. With these two ‘truths’ in mind, the smart colorist will leave Saturation until after overall contrast and color balance are defined. In Final Cut Pro, select a clip in the timeline that you want to correct. But changes in Saturation might not effect brightness values (meaning you can make Saturation changes without having to bounce back to the Exposure board to compensate). Image Processing: Depending on the software, changes in Exposure will have a huge effect on the actual Saturation of image (as measured on a Vectorscope, not just perceptually). If you haven’t settled on the overall brightness of your image and start tweaking Saturation first, you’ll be re-visiting this setting in very short order.Ģ. Works in Final Cut Pro Motion on Apple and Intel processors. The actual Saturation may not alter one bit and yet the object will appear much more (or less) colorful depending on it’s brightness values. Perceptually: Brightness or darkness values change how colorful an image appears to our eyes. I suggest you (almost) never set saturation before you’re happy with where the highlights, shadows and mid-tones are sitting (usually in that order).īecause the perceived colorfulness of an image is hugely impacted by the brightness of image. When is the best time to set your Saturation? With 4 different options included, adjust the settings with the on-screen controls and enjoy automatic vertigo animations. I’ll often call it, ‘setting the Base Grade’.ĭuring this ‘setting the Base Grade’ process we’ve been avoiding setting Saturation in Final Cut Pro X. Easily create cool dolly zoom effects or visual distortions in your videos with this amazing plugin by MotionVFX. ![]() This first step in color correction is what is commonly called, a Primary Color Correction. Using that information, we developed a game plan for the first ‘move’ you make when color correcting an image. In Parts 1 & 2 of this series, you learned how Final Cut Pro X ‘re-maps’ the pixels in your image assigned to the Shadows, Midtones and Highlights tonal ranges. This color grading plugin delivers an all-in-one F inal Cut Pro X solution which puts the essential tools right at your fingertips in a simple clear interface, including tracked masks, with individual control of the overall grade, as well as inside and outside the mask. Tutorials / FCPX Desert Island Challenge / Setting the Proper Saturation in Final Cut Pro X Seriesĭay 19: 25 Insights in 25 Days Holiday Marathon How (and When) To Set Saturation in Final Cut Pro X Final Cut Pro X Desert Island Color Correction Challenge: Part 3 Part 1: Match Color with Your Video Clips in Final Cut Pro.
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